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A universe of beauty, mystery and wonder
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Monday, December 2, 2013

WAS STONEHENGE A CENTER FOR "ROCK MUSIC"?

In the 1972 comedy "WHAT'S UP DOC" Ryan O'Neal plays a scientist with a peculiar theory about how particular rocks with musical properties may have influenced prehistoric man.  The movie was hilarious and the rocks only an excuse for a very funny plot.
 
Now history imitates art, so to speak.
 
DAILY MAIL - Stonehenge may have been built by Stone Age man as a prehistoric centre for rock music, a new study has claimed.  According to experts from London's Royal College of Art, some of the stones sound like bells, drums, and gongs when they are 'played' - or hit with hammers.
 
Archaeologists, who have pondered why stone age man transported Bluestones 200 miles from Mynydd Y Preseli in Pembrokshire, South West Wales to Stonehenge, believe this discovery could hold the key. 

The 'sonic rocks' could have been specifically picked because of their 'acoustic energy' which means they can make a variety of noises ranging from metallic to wooden sounding, in a number of notes.
 
Research published today in the Journal of Time & Mind reveals the surprising new role for the Preseli Bluestones which make up the famous monument, and which were sourced from the Pembrokeshire landscape on and around the Carn Menyn ridge, on Mynydd Preseli, South-West Wales. 
 
Bluestones were used in the village of Maenclochog - meaning bell or ringing stones - until the 18th century.
 
A significant percentage of the rocks on Carn Menyn produce metallic sounds - like bells, gongs or tin drums - when struck with small hammerstones. Such sonic or musical rocks are referred to as 'ringing rocks' or 'lithophones'. 
 
The Landscape & Perception project drew upon the comments of the early 'rock gong' pioneer, Bernard Fagg, a one-time curator of the Pitt Rivers Museum, in  Oxford.  He suspected there were ringing rocks on or around Preseli and suggested that this was the reason why so many Neolithic monuments exist in the region – with the sounds making the landscape sacred to Stone Age people.
 
English Heritage allowed archaeologists from Bournemouth and Bristol universities to acoustically  test the bluestones at Stonehenge, effectively playing them like a huge xylophone.  To the researchers’ surprise, several were found to make distinctive if muted sounds, with several of the rocks showing evidence of having already been struck.

 
The tones make different pitched noises in different places and different stones make different noises - ranging from a metallic to a wooden sound.

The investigators believe that this could have been the prime reason behind the otherwise inexplicable transport of these stones nearly 200 miles from Preseli to Salisbury Plain. There were plentiful local rocks from which Stonehenge could have been built, yet the bluestones were considered special.
 
The researchers have looked into geological reasons as to why some rocks make noise and others do not and one theory is that the amount of silica in the rocks could explain why in the future.
 
The theory is that stone age people living in Wales might have used the rocks to communicate with each other over long distances as there are marks on the stones where they have been struck an incredibly long time ago.
 
 
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